Info & photos of "Hull Model"? Corné-Paintings - Navy-Homepage?

Hello Experts of the Constitution!

Now that I introduced myself - here my first questions (probably of thousands more)…

I have only three photos found in Internet showing the “hull-model”. Since its an important source for the correct rigging of those days more detailed photos would be very helpful. Also the history of the modell - or of Campell´s Smithonian Model - would be very interesting.

Are there any sources for that? Are there books? I asked in the museums shop - but did get no real help.

Can you help me with that?

Thanks in advance!

Marcus

Marcus,

I posted this same question just about a year ago. Thankfully Dave(AKA UHU) emailed me the best detail photos of the Hull model I’ve ever seen.

I believe Steve Larson posted these same photos at modelwarships.com but I couldn’t find them. If Steve doesn’t help us with something on the net I’ll email the photos to you. HTH

If you type the word “Isaac” into the “Search” box of this Forum you’ll get enough interesting information about that old model to keep you busy for quite a while. (I just tried it; it works.) Several folks have posted some good photos of the model - about the best and biggest assortment of pictures of it that I’ve encountered, as a matter of fact.

Unfortunately that’s not saying a lot. From the standpoint of ship modelers and American naval history enthusiasts this is one of the most important models ever built. It deserves to have lots of real thorough research done on it. I wonder, for example, just what degree of restoration, and replacement of original components, it’s undergone over the centuries - and, for that matter, just what the hard evidence of its provenance is. It’s always struck me that the rigging of that model is much, much more sophisticated than the rest of it. (Compare the workmanship on the rigging to that of the guns, which are downright crude by any standard. Is that because two people worked on the model originally, or is it because the original rigging got replaced? If so, when?)

Back in the days when it was known as the Peabody Museum, that institution had a reputation for (a) being one of the finest maritime museums in the U.S., and (b) not having much money. Nowadays, as the Peabody-Essex Museum, it’s quite a different place than it used to be. (I need to be careful here. I haven’t visited the place in about twenty years. But I’ve looked at its website, and one of my students handed in a paper about it a few years ago.) I have the impression that in its new form the museum’s maritime collections, while still outstanding, have taken something of a back seat to the art and anthropology galleries. I don’t get the impression that a major, rather expensive research/publication project centering on an old ship model is high on the institution’s list of priorities. That’s really a shame. If any model ever deserved to be the subject of a high-quality, well-illustrated publication, this is it. For the time being, though, Leftie’s generous offer is probably the best source you’re going to find.

Regarding the George Campbell model in the Smithsonian - If I remember correctly, Mr. Campbell drew the plans for it in the late 1950s and the model, on the scale of 1/4"=1’, was built by a firm called the Arthur Henning Company. Mr. Campbell’s plans (which, I’m fairly certain, are available at a reasonable price from the Smithsonian) were, as you probably know, also the basis for the Revell 1/96-scale plastic kit. Mr. Campbell knew what he was doing. Those plans are close to thirty years old now, but as I understand it they still hold up remarkably well in terms of accuracy. To my knowledge, the most conspicuous error in them (if it can be called that), concerns the gunport lids. Current thinking among the experts seems to be that, at the time of the War of 1812, she didn’t have hinged gunport lids; the gunports were sealed by removable wood “shutters.” If I were building the Revell kit, I’d probably leave the portlids off. Otherwise, though research over the past thirty years has uncovered quite a few tidbits of information about the ship that previously hadn’t been known, few if any of them would have much of an impact on a model builder working from the Revell kit.

The Smithsonian model certainly is worth a look. In a sense it amounts to a revised version of the Hull model, with much superior detail and built with twentieth-century materials and techniques. Unfortunately, though, getting a look at it right now would be a bit of a project - for two reasons. One - when the Smithsonian built its new military history gallery a few years ago, almost all the ship models from the old gallery got taken out and put into storage. (The new exhibition is a fine one, but it’s hardly a mecca for ship modelers.) Two - the Museum of History, where that exhibition is located, is currently closed for other major renovations; it’s not scheduled to re-open till the summer of 2008. At that time a new maritime history gallery (dealing with merchant ships, fishing, etc. - and replacing the “Hall of Maritime Enterprise” that’s been on the ground floor of the building since the 1970s) is also scheduled to open. I have an awful feeling that a lot of the ship models that used to be in that gallery won’t be in the new one.

Hello, I am the aforementioned photographer.

The Isaac Hull model resides in the Peabody Museum in Salem Mass. Its in a spacious, well-lit display case visible from three sides. I would be happy to forward you my photos, if you would give me your email address.

However, I must tell you that the museum is well worth a visit. Not only does it have a large collection of ship models, both antique and modern, it also has many extraordinary artifacts from the estates of clipper ship captains and a magnificent photo archive open to the public by appointment. One of my favorite museums, the Peabody’s quality and presentation far exceeds the modest publicity it recieves.

Down the street from the Museum is the Wall Ship Model Gallery, which sells ship models of the highest standards, as well as an art gallery which often features original works by John Stobart, an ex pat Brit living in the USA, and IMHO the finest living maritime artist.

If you ever plan a vacation to the USA, I recommend a road trip along the New England coast in the fall. Beautiful scenery, plenty of maritime museums to see, with the Peabody as the crown jewel. I take my vacation up there every year.

Sincerely,

Dave

www.vectorcut.com

What an enticing picture you paint Dave, makes me want to book the flight without delay.

I really must get across the pond to savour your maritime and scenic delights.

Here’s a link to the website of the Peabody-Essex Museum (as it’s now called): http://www.pem.org/homepage/

It’s obviously a great institution - a completely different one than the small maritime museum I first visited in about 1966. I haven’t been there in about twenty years, and I’m certainly not in a position to offer criticism. I do think it’s worth noting, though, that “Maritime Art” is now one of fifteen fields that the museum identifies as its collections. I also notice that the publicity photos on the website concentrate heavily on the multi-million-dollar new wings of the building. The model we’ve been discussing - one of the most important ship models in the U.S. - is, I believe, housed in the same old wing where it’s always been (probably without modern climate control). When I did a search on the word “Constitution” in the museum’s sophisticated website, no reference to the Hull model came up.

My wife and I are hoping to make a vacation trip to New England in a couple of months. If so, I certainly intend to put the Peabody-Essex Museum on our itinerary. I hope I’ll be pleasantly surprised - and that the institution’s maritime collections are not, as I fear, getting neglected in favor of the other fine collections it owns.

Hello Leftie and Uhu,

thanks for your answers - and thanks for the offer to send me pictures. You already got my mail adress via PM.

I saw the old thread - but could not see the pictures.

Dear Prof. Tilley,

I tried to use the search function - and I found Lefties thread. But unfortunatly the photos seem not be linked anymore. And yes, I noticed a lot of threads in which Isaac Hull is mentioned… I will go on studying … but I hoped for faster success.

I was reading a lot in your discussions concerning the hinged portlids and the colour of the ship. Really interessting! I am pretty sure that - whenever I will be able to really start building the model - I will follow a lot of your recommendations.

Right now I want - as I said - just to collect as much of accurate information as I am able to get - without traveling and with reasonable costs… Therefore internet and a forum like this is the right place, I believe.

Your above mentioned fears are the reason why I asked myself wether the model itself is documented in a way. On one of the three pictures I got, I noted a loose rope at the mizzen … And asked myself: what, if anyone had to “repair” the rigging in about 200 years? Is there really a chance that NOT???

That was the reason I tried to get in contact with the PEM - via the only available e-mail-adress I could find out: the museum shop. A lady there answered that they do not sell books about the model and that I probably would find my answers on the museums homepage. My results were as good as yours. No information about that issue! Very sad.

I share your point of view: if there are any models which might be important to the U.S. history - this should be one of them. And no link for that in the museums homepage?

But as I mentioned in my introduction: I had the luck and privilegde to spend some monthes in Danvers/Salem MA and traveled from New York to Acadia Island. I was in several museums - an old shipyard in Maine, of course the USS Constitution Museum (even two or three times!) … I sailed an afternoon on the rebuild schooner Thomas E. Lannon … I did this and that and at the end of my internship I had to notice: so many things not done, so many things not seen! Boy was I stupid, boy did I loose time! If I had known what I know today - the hole time would have been spend different!

So if I - as a real “fan” of the USS Constitution since nearly I was born - did not know about the model in the museum in the town were I even lived for some weeks… why should a young modern and ambitious museum manager care for that old dusty stuff? To make yourself a name, you have to present something new! Pretty sad.

@Uhu again

I missed fall in New England. I started in the cold and snowy Febr. 1998 and the time ended in August the same year. Today its not easy to organize a trip to Boston. My wife hates flying - and after all, we are expecting our Son Noah´s little brother this sommer. No longer trips for years, I fear! But one day: I´ll be back (please imagine Arnold Schwarzeneggers accent)

I loved the time in Boston and its area! It was really one of the most interesting and exiting places I ever have been. I would love to stay there again - for a looooong time! At least for the fall [swg]

Marcus…Go to modelwarships.com then go to the forums section. Do a search of “Hawley”. There you’ll see all the beautiful photos I received from Dave aka Uhu.

I hope your Constitution comes out better than mine…I should say…I hope you’ll enjoy building your Constitution as much as I did building mine. It was the most modeling fun I’ve had in years.

Hello Connie-Fans,

I presented some of the photos (thanks Uhu!) to german modellbuilders and very soon the discussion started: "One can not trust the Hull-modell - too much mistakes - no steering wheel, no gunport lids, wrong colors (the green for the underwatership for example), differences between this design and the interpretation by Marquardts AOTS, etc. … "

We discussed your comments and critics on the AOTS - but its obvious. A name like Marquardt seem to be stronger, than an odd old model somewhere in a museum. Even more since nobody seem to be able to describe the hole history of the model. Who did the rigging? When? Have there been “repairs” in about 200 years?

I am a bit frustraded - because the only way to confince would be to know, why Marquardt did not even mention the Hull-modell. Has anyone any idea?

I think it would be a mistake to mistrust the hull-model just because of an - of course excellent - expert writing a book. He himself agreed, that it is difficult to find out her true apperance - before there were photos… But in Germany a written book is almost like a bible. What do you feel about that?

Among the first things one learns when one goes to graduate school in history (or, for that matter, any other subject) are (1) that books are written by human beings, and (2) that human beings make mistakes. Mr. Marquardt’s book about the Constitution contains quite a few of them. Most are relatively minor, but some are difficult to understand or excuse.

One of the first responsibilities of a professional scholar undertaking a research project is to become thoroughly familiar with the literature on the subject that already exists. He demonstrates that familiarity by listing the sources he consulted in his bibliography. Mr. Marquardt consulted some excellent sources. He also, inexplicably, missed some extremely important ones. Most notably, his bibliography does not include the standard scholarly history of the ship, A Most Fortunate Ship, by Capt. Tyrone Martin. And Mr. Marquardt, as has been noted, makes no reference to the Hull model.

I don’t have as low an opinion of Mr. Marquardt’s book as some people do. But I get the impression that he did all, or most, of his research in Europe. I find no evidence in the book that he actually looked at the ship herself. That is, to say the least, remarkable.

The most disturbing mistake in the book concerns the drawing labeled “Frame Dispositions,” on pp. 60-61. It shows a fairly standard British-style arrangement, with most of the frames arranged in pairs. The gaps between them are indicated by diagonal cross-hatching. On several occasions the Constitution has been replanked, and photos have been taken while her frames were exposed. Even a quick glance at any of those photos (e.g., the ones taken in 1873, and reproduced in Thomas Gillmer’s Old Ironsides: The Rise, Decline, and Resurrection of the U.S.S. Constitution - another important book that’s missing from Mr. Marquardt’s bibliography) is enough to establish that she just plain isn’t built like that. (I wouldn’t want to try to reconstruct the actual framing disposition on the basis of those two photos, but they aren’t the only evidence available. Her hull planking has been removed, and her frames have been extensively measured and photographed, at least twice in my lifetime.)

I’ll repeat an observation I’ve made a couple of times before. One of the other books in the Conway Anatomy of the Ship series, the one about H.M.S. Victory, originally contained some clear mistakes (though nothing as serious as that one). At least one magazine reviewer caught them; he praised the work of the author/draftsman, John McKay, lavishly on artistic grounds, but was pretty scathing about the research he’d done. Mr. McKay, much to his (and Conway’s) credit, corrected the drawings and a revised edition of the book was published. Something similar really needs to be done with Mr. Marquardt’s book. The Constitution clearly belongs in that series, and historians, modelers, and other enthusiasts are surely entitled to expect that the drawings in it are not only well-rendered (which they are) but historically reliable.

As for the “Hull model” - it is indeed, in many respects, pretty crude. It doesn’t have a steering wheel, the guns are downright primitive (the carriages have no trucks, and each is held to the deck by a huge nail with a protruding head), the paintwork is over-simplified, and in general the hull and deck furniture look like they were made by somebody who’d never built a ship model before and/or was working in a great hurry. The rigging, on the other hand, is excellent - obviously the work of somebody who knew exactly what he was doing. I’ve wondered more than once whether several individuals worked on that model. That’s one more reason why I wish the museum would pay some more attention to it.

If I remember correctly (as I may not; it happens with increasing frequency these days) the model has three colors of paint on it: black, white, and green. I suspect the green below the waterline was an attempt to represent weathered copper sheathing. The absence of gunport lids, if we believe Captain Martin (as I think we can), is in fact correct. Captain Martin is convinced that, from the time she was built until well after the War of 1812, she had no hinged gunport lids; the ports were closed with removable wood “shutters.”

Marcus - I guess the best observation regarding the last point in your last post is the one with which I started this one: books are written by human beings, and human beings make mistakes. That assumption that anything in print is to be taken as gospel is, however, by no means uniquely German. I remember some years back getting into a discussion with one of our grad students about a grammatical error that, much to his surprise, he’d found in a published book. I said, “well, Barney, some of the best prose and some of the worst prose ever written in the English language has been written by professional historians.” He was utterly astonished to hear somebody say such a thing. But it happens to be true.

Hello Connie-Experts,

I learned, that there are many paintings showing the Constitution. One of the reliablest (correct?) painter seems to be Corné. Looking in WWW via google, I found paintings - most on the Navy.mil-pages.

Two questions:

1st: I have no idea why, but I am not able to open these homepages - also the Home of the USS Constitution itself. Does anyone know, why that happens? I know there are some others in a german forum, who experience the same problems. Its nothing with the Firewall or the Internetbrowser (we all use MS-Standard-Software - and many others using the same programs do have no problems in accessing these pages). Anyone any idea?

Second: does anyone know other links to pictures and paintings made by Corné? I am interested in two especially: there must be one showing Constitution during the barbary war. It might be the one onpage 105 in T. Martins “a most fortunate ship”. But in the book its tiny small and black&white!

Another interesting painting is in the same book on page 60. A painting made probaly in 1803 - the earliest portrait of the Constitution. This too is in black&white and not very big.

Thanks in advance!

From all that I have been able to gather, there is no accurate description of the rigging of the Constitution of her glory days of 1812 to 1815. (The foremost expert on the Constitution, CMDR Martin, was highly critical of Campbell’s description of the vessel.)

Back then, there was a sailing master. He was a petty officer (an E7 to an E9in today’s equivalance). His job was the navagation of the vessel. He was responsible for the set of the sails, distribution of cargo, navigation of the vessel and similar functions. He was not responsibe for the guns, condition of the crew etc.

Today, there is no such thing as a Captain’s license. The position of Captain is an appointed position by the owner of the vessel. Now, to be a Captain of a vessel, the owner usually requires that one holds a Master’s License. The USCG (and all other sea faring countries) issues Masters licenses after appropriate testing. Last I knew, they were in tonnage designations. The least is 25 tons and then 50, 100 200,500, 1750 and unlimited tonage. Other nationalities issue saimilar documents. (25, 50 and 100 tons are considered Yacht licenses. My license was 50 tons.)

The Master had a great deal to say about the how the ship was rigged. After all, it was his resoponsibility for the sailing qualities of the vessel. Knowing military service, I would suggest that each sailing master changed the rig of the ship to make his mark on the vessel. This had to have the approval of the Captain. But, I can’t picture a captain witholding his approval of a rigging change. I think that the importance of this was that if the rigging change was not approved by the Captain, then the Captain would have to remove the master that he appointed.

The bottom line here is that no matter which plan one follows, there is no one that can say that it is incorrect. That is because there is no record of what ithe rigging really looked like. (If there is, please show me!) It is my belief that each Master changed the rigging, even if very slightly, in order to make his mark on the vessel. If one wants to follow the changes in the rigging, then I would suggest following the changes in the vessel Masters.

The Revell rigging plan is much simplified. (Note: There are no parrel’s holding the yard to the mast.) But, if that plan is followed, it will produce a mdoel with rigging that will boggel most people. At the same time, there is no one that it can say it is incorrect. That is because no one can say what is correct!

On the matter of gunport lids, I think that this is much settled. In the 1812-1815 time period, the gun port lids were taken inboard when the guns were run out. Therefore, on the model with the guns run out, there are no gun port lids. There is much agreement on this point. Personally, I can’t picture the Constitution with her guns in and gun ports closed.

I haven’t run across Captain Martin’s criticisms of the Campbell plans. I’d be most interested to read them; I have the greatest respect for Captain Martin’s views on anything related to that ship. I also have a great deal of respect for Mr. Campbell. I suspect any mistakes Captain Martin found in those drawings reflect the additional research that’s been done since Mr. Campbell made his drawings.

The Revell rigging diagrams are indeed simplified - though less so than most rigging diagrams that come with plastic kits. And the kit indeed does not include parrels (or trusses) for the yards. It’s worth noting, though, that Revell took a considerably more sensible approach to that particular problem than Heller did. In the big Revell kits (the Consitution, Kearsarge, Cutty Sark, and their various clones) the yards are held to the masts by “snap rings” or other plastic contrivances, which could be viewed (charitably) as simplified parrels. The Heller Soleil Royal and Victory make no provision whatever for fastening the yards to the masts. They’re just supposed to hang there. Conclusion: the Revell designers understood how the real ships were built, and simplified the prototype arrangement to accommodate the presumed skill level of the modeler, whereas the Heller designers didn’t understand how ships were put together. They demonstrated that fact on numerous occasions (e.g., by putting points on the ends of belaying pins), though they seem to have gotten better as the years went by.

It’s often occurred to me that, on 1/96 (or 1/100) scale, it really would be entirely practical to mold a set of parrels, with ribs and rollers, in styrene. And it wouldn’t be hard to put them together. And the result would look great. (Making a parrel from scratch, using sheet styrene or wood veneer for the ribs and glass beads for the trucks, takes only a few minutes and significantly improves the look of a model.) But to my knowledge no manufacturer has tried it. The only plastic sailing ship kit I’ve encountered that even made an effort to represent yard parrels to scale is the Airfix Wasa (one of my favorites, for a variety of reasons), which, if I remember right, features a set of simplified parrels molded integrally with the masts. It sticks in my mind that one or two of the large-scale Imai kits just may have had multi-part yard parrels, but I don’t know for sure about that.

We do have one source that seems to tell us how the Constitution was rigged: the “Hull model.” I don’t know just how much documentation exists about that model’s provenance, but the rigging certainly looks like it was done by somebody who was intimately familiar with the real thing. Whether that individual was a sailor on board the ship, or a sailor on board some other ship, or whether the rigging on the model today is as old as the rest of the model, I don’t know. Again, I really wish the Peabody-Essex Museum would undertake a really thorough study of that model, dig up whatever documentation about it does exist, and publish a monograph about it. The old model is certainly worth such treatment.

It is quite easy to build a reasonable set of parrels out of styrene strips and and craft beads sold in stores like Micheals. The beads in many early 19th century parrels were not really spherical, but of an oblong shape. So if holed beads of sufficiently small diameter can’t be found, then one could use short lengths of small diameter styrene tubes in place of beads. A small dab of slightly thickened paint can give the small tubes the bulge in the middle to simulate the oblong shape of the beads.

Regarding the Constitution not having conventional hinged gun port lids, does that characteristic apply to the main gun deck ports? The hinged gun port lids seems to have been an effective and long and well establish feature dating back to the 15th century. What would be the rationale to depart from it?

Regarding the Corne paintings, there is a very nice monograph that was published about 25 years ago titled “Constitution, Super Frigate of Many Faces, Second Phase 1802-07” written and illustrated by William and Ethel Bass. The book contains an exhaustive analysis of the 1803 Corne painting which then, along with his 1805 painting, references to other contemporary sources, and modern knowledge of the ship, is used to produce scaled drawings of the ship as she probably appeared in this period. It was apparently intended by the authors to produce a series that would cover the ship’s entire life, but to my knowledge this is the only one that was actually published. It’s very well done, appears to be a thorough treatment of the subject, and would be of interest to anyone contemplating a model of the ship in her early period. When I found mine several years ago through ABE there were several to choose from, but a quick search now doesn’t show any available.

Regarding gun port lids, there are several Roux engravings of American frigates I have seen in various books that do not show gun port lids, nor do Corne’s paintings of Constitution. The Bass book discusses the subject briefly and concludes that, in the 1802-07 period at least, they were probably split or solid covers that were put in place rather than hinged.

Are the covers fitted from the outside or the inside of the ship?

I have never seen a drawing or reconstruction of what the actual arrangement was. I have seen a diagram for half port lids where the bottom half hinged downwards and the removeable top half was held in place with pelican hooks. What ever the arrangement, I would think it would most likely be put in place from inside the ship.

Steves’s description of that drawing rings a big bell. I don’t know for sure where I saw it; in one of the Chapelle books, I think.

Logic suggests that the “shutters” must have been installed from inside the hull. (Imagine what sort of athletic feat would have been required to install them from outside when the ship was under way.) It also seems logical that they would have been made in such a way that the pressure of the waves on the outside would tend to seal them tighter, rather than knock them loose. I’ve never seen an actual, detailed drawing of how such things were made, but if I were trying to reproduce them on a model I’d probably form some sort of rabbet around the exterior edge of the gunport. If the “shutter” had some sort of handle arrangement on the inside (as it almost certainly would), a man could shove it out through the port (by holding it diagonally) and pull it into the rabbet. There must have been some sort of arrangement (hooks or something of that nature) to hold the “shutter” in position. And I rather suspect each port had two - upper and lower, with semi-circular cutouts for the gun barrel. (That configuration would allow the gun to be stowed in the run-out position, saving a considerable amount of deck space.)

All this, however, is guesswork and inference. It does seem remarkable that the contemporary evidence about it is so sketchy. But I have to agree with Captain Martin: the evidence that does exist is pretty convincing.

Just a couple of comments re rigging:

  • I’ve done a bit of sailing and it seems that every boat owner or skipper has they’re own “style” of sailing and corresponding preference on how their boat is rigged. If a 26’ sloop with just a mainsail and jib can be rigged in a variety of ways it boggles the mind to think about all the possible variations possible on a full-rigged ship. Particularly with the running rigging and the belaying points.
  • The Constitution was re-rigged numerous times during it’s life. There’s just not enough documentation to know exactly how it was rigged during any given period.
  • In my mind the most important aspect in rigging a model would be functionality - could the ship actually be sailed the way you are rigging it?
  • The rigging plans with Revell’s big Constitution are pretty comprehensive in my opinion. If is almost imposible to duplicate every line and fitting in scale. Trying to do so would most likely would overwhelm the model.

I’ll go so far as to say that I think the rigging diagrams in the Revell 1/96 Constitution are among the best I’ve seen in plastic kits. The only rivals I can think of off the top of my head are also Revell kits: the 1/96 Cutty Sark, the Mayflower (in its original, non-“simplified” form), and the Golden Hind. The designers clearly were working from the George Campbell plans, and Mr. Campbell, in turn, clearly based his sailplan on the old “Hull model.” The compromises the Revell designers made (omitting the yard parrels, relying on only two sizes of blocks, etc.) certainly were reasonable in terms of the intended market. (But I still think a set of scale, multi-part parrels would not have been beyond the reach of injection-molding technology - or the average modeler’s ability. And I still think somebody could have come up with a better solution to the “Great Ratline Problem” than those plastic-coated thread abominations. Red Corvette and I have had that discussion before.) The experienced ship modeler who wants to go beyond what’s in the kit will have little trouble finding other sources of information (and aftermarket detail parts).

The usual story regarding the “Hull model” is that it was built for presentation to Captain Hull during the War of 1812. Just how well-documented that story is, I don’t know - but I seem to recall that it was Hull himself who donated it to the (as it was called then) Peabody Museum. (I may be mistaken about that.) It certainly gives every appearance of having been rigged by somebody who knew exactly what he was doing. Was that individual actually a member of the *Constitution’*s crew? I don’t know whether the available documentation establishes that; I doubt it. Another part of the lore surrounding that model is that, at some time or other early in its life, it was floated in a bowl of heavily-spiked punch at a banquet of some sort, its guns were “fired” by means of tiny powder charges, and it sustained some damage and had to be repaired. If that’s true, just what was the damage? Did the damaged parts include any of the rigging? Is it possible that all the rigging got wrecked at that time (or at some later date), and that the rigging we see today was installed later by somebody else? (That scenario might explain the huge difference in quality between the hull and the rigging.)

Few models from the nineteenth century and earlier have their original rigging. (Most of the old English “Board Room” models at such repositories as Greenwich and Annapolis got re-rigged in the twentieth century.) But there are a few exceptions. Mystic Seaport, for instance, has a beautiful early-eighteenth-century English warship model with its original rigging intact. (At least it was the last time I saw the model - which, admittedly, was several years ago.) I had a chat about that model with a Mystic employee once. She explained that the model’s case was mounted on a set of automobile-type shock absorbers, in an effort to keep any vibration of the rigging to an absolute minimum, but that the curators still held their breath whenever a semi drove by the museum. Now that’s what I call a museum that really cares about its ship models - and knows how to take care of them. The “Hull model” at Salem clearly deserves similar TLC. I have a horrible feeling that it isn’t getting it - but I don’t actually know enough about the Peabody-Essex Museum to make any firm assertions on that point.

It seems generally to be assumed that the “Hull model” is an excellent, reliable guide to how the Constitution’s rigging looked at some point during the War of 1812. I don’t have any firm reason to contradict that view; if I were building a model of the ship in her 1812 configuration I’d certainly rig her according to that old model. But I sure wish some qualified person would really establish, once and for all, just exactly what the provenance of that model is - to the extent that the evidence will allow. My guess is that a professional researcher might be surprised at just how little is known for sure about that model. But I contend that it would be worth finding out. A few other museums have published monographs about particularly valuable and important ship models. If this one doesn’t fit in that category, I don’t know what does.