If you look at the pictures below, you notice that the paining changes tone towards the edges of the models, either darker or lighter. I have noticed many modelers do this and would like to know what this is called and how it’s done. Any help appreciated.
That’s colour modulation. I am no expert on it as I don’t like it, but one method is to spray a darker shade all over and then use a lighter one in the centre of the panels.
I think spraying is the best option. You do go over the edges, but only a light coat. You should be able to do it with a single action I would imagine, its all a matter of not over doing it on the edges.
I know there are guys here who use it, they should be able to give you better info than I can. I did consider it, but as I said, I don’t like it so decided against it.
For the pics to show, you need to use the ‘Use rich formatting’ link next to the reply button. In there you will find the link for posting images directly onto the page.
I’m looking at several models and I can see that this technique helps create a weathered look, also some have said they don’t like this technique.
I think, for the time being, I’m going to stick with basic weathering with pigments, chalk and such. This color modulation seems like something to tackle after having more than a few models under my belt.
I don’t think its intention is to create a weathered look. I think, but could be wrong, that’s its used to create interest in the model. Its a question of an artistic look or a realistic one. Personally, I don’t like it because I don’t think it looks realistic. We had a debate on this a few weeks ago, and a few others who also have experience with real armour agreed.
Its all a question of taste and which approach you wish to take.
I too would say it’s more an artistic effect than weathering.
Another way I’ve seen it done is by underpainting a monochromatic tone, which I’m sure involves some masking. Then the actual vehicle colour is laid over top.
Airbrushing allows you to put down such a fine coat that you can blend one color into another. It can be done with careful adjustment of a single action brush, but is probably easier with a double action. For small areas such fading of one color or shade into another can also be done with dry brushing, a popular technique in days gone by but one that seems to be going out of favor.