The promo/war bond tour just needed “close enough.”
Which gets ‘sticky’ quickly–witness accounts are that the green was a locally-procurred paint applied to all surfaces in an indiscriminate fashion.
Said testimony getting confused, over the years, with the official green paints and schemes. Also testimony that 109 was in gray paint the night of her loss (and at least one report of a black color).
The “Peter Tares” operated very far forward, well forward of “the brass” so a number of the actual practices varied from Book considerably. Black for underwater hulls was pretty common. And, quite logical as the forward bases had nothing that needed official red bottom paint, which was in considerable need elsewhere.
[quote]
Or a nice “just got here” look: (Grey everywhere above the waterline)[/qoute]
With a darer gray deck and horizontals–the shadowed numberals are very prewar, too. Very much “just got there.” Which is a hugely appropriate paint schem for 109, and with more thna a little documentation. Both of the foredeck depthcharges would be in place or, at least the racks would.
That’s harbor scum with rather a lot of fuel oil scum.
Technically, all WWII USN grey are in a Purple-Blue hue of one sort or another. On Ekachrome film, blues are always enhanced, too. It’s still excellent analog film stock for daytime, blue sky photos. And equally awful for indoors under flourescents everything goes yellow-green. This is something to take in consideration when assessing period photography.
Now, should OP change the paint on his hull? Only if he wants to. As I mentioned above, the 109 (and other forward boats) is tricky to model, as the plywood hulls had no weld beads to run a chalk line between to establish neat waterlines and the like. They were often painted in the water with local paints of dubious quality, and under considerable time pressure, which is not the sort of thing that allows careful masking and neat paintjobs.
So, the modeler has to do what makes them happy. Even when “the real thing” did not look as good as one’s model–as other people will judge the model on the modeler’s skills at painting, seam filling, etc. Modelling something normally painted sloppily is probably at the zenith of modeling skill.