Herman Munster - Finished

I have always been a fan of Fred Gwynne and the 1960’s show The Munsters. I had seen that Moebius had done a kit of Herman and on top of that my grandsons fell in love with the show a few weeks ago. So I guess it was inevitable. I got both Herman and Grandpa and was pleasantly surprised with the quality of the kits.

I grew up back in the 60’s building Aurora monster kits so I kind of figfured I knew what to expect when I opened the boxes. Man was I wrong. What I found were great details, tight seams, and almost perfect likeness’ of the characters. I knew that Moebius had a pretty good rep, but was still surprised at the quality of the kits.

Anyway, here are a few pics of Herman. Grandpa is still awaiting paint and he’ll show up here in a few days.

Grandpa will be coming soon. He’s just waiting for paint.

That’s too cool! I gotta get the Munstermobile done…

Very cool! Looking forward to Grandpa!

Very cool! I love the old Aurora kits. Nicely done, too. If I may offer a tip, you might want to add just a little bit of a darkened shade of your flesh color under his eyes, just a bit to shade underneath.

Thanks everyone. I appreciate the kudos and the tips. Baron, what would you suggest to use as a color for the darkening? I am familiar with weathering on AFV’s, but am a total newbie with figures.

I’ve learned a little by trial and error, trying things. One thing is that the principles are the same, whether you’re painting a StuG or a French hussar [;)] That is, I’ll use a darker shade of the field color when coloring panel lines, than just to put black in it. If the field is dark mustard yellow, I might use a medium brown for that panel line.

I look at shading on a face the same way. For Caucasian faces, for example, I like to use Andrea Beige, or Vallejo’s light skin colors, for a base. Then, I’ll take a burnt siena and add a tiny drop to some of that base color, mix it thoroughly, and then apply that to the folds on the face–the bags under the eyes, for example, or in the lines from the corners of the mouth up the sides of the nose. Just like doing a panel line.

And then, if I’m using acrylics for the base, I might use acrylics for the shading, in which case I thin the shade color and just keep applying it, building up the color a little at a time, till it looks right to my eye. Or, I might use oils for shading over the acrylic base. In that case, I’ll mix a shade color, again, looking at my base and then picturing it a little darker, even to the point of looking in the mirror to help visualize it, and then I apply the oils to the folds. Now, the beauty part about using the oils is their slow drying time, so I can wipe away the excess, leaving the color in the folds, and I can also use the brush to remove the color, brushing towards the lighter areas, and creating a blended transition from the highlight to the shadow.

Generally, with Caucasian complexions, I find a medium brown or tan to be very useful to use as the basis of the shadow. For black complexions, I tend to work in the other direction, that is, applying a darker base color and then using a lighter shade of that color and hitting the highlights, like the cheekbones, the bridge of the nose, the forehead, chin.

I hope that sounds clear. In any case, please do keep painting! I think you’ll find it gets less intimidating and you develop a technique, the more you do it.

Way cool. Thanks for posting!

Thanks Baron. Weathering is the most intimidating part of modeling to me. I feel like I’ve come this far and now I could ruin everything by screwing this up. But they do look so much better after it’s done. Well, I just found that I have a copy of Shep Paine’s How to Build Dioramas which has a great section on figure painting. I’ll give that a read, and along with your tips, will see what kind of damage I can do. Thanks again.

Cary

Sure thing! You’ve got a great resource there, too. I first tried to paint a figure “realistically”, using Shep’s steps in the old “Tips On Building Dioramas” brochures in my Monogram kits, back in the day.

He was great as the judge in My Cousin Vinnie… Mr. Gambini, what’s’ a yute?

Or in “Pet Sematary”. “The soil of a man’s haht is stoniyah than any othah.”

I was looking at this kit on-line as a potential purchase. Glad I found this thread for inside information. Looks good

Looks very good.